Ebook Free The Function of Ornament, by Farshid Moussavi
Ebook Free The Function of Ornament, by Farshid Moussavi
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The Function of Ornament, by Farshid Moussavi
Ebook Free The Function of Ornament, by Farshid Moussavi
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Review
This book represents a return to architectural research as drawing. If it's a harbinger for 2007, I'm excited to see what else Actar and whoever else dares to draw can come up with. --Archinect The Function of Ornament is a primer for the digital age, with Foreign Office Architects Farshid Moussavi demonstrating how the computer is as fine a form generator as any pattern book. --Wallpaper Magazine -- A remarkable array of forms. --Metropolis Magazine Undeniably powerful. -- Architect's Journal A compelling study of affect manifest in clearly presented case studies with savy representations of various architectural techniques. --DocumentsA thoroughly and beautifully illustrated book that gives a broad overview of the various affects achieved by mostly contemporary buildings. --ArchidoseA thoroughly and beautifully illustrated book that gives a broad overview of the various affects achieved by mostly contemporary buildings. --ArchidoseThe impressive array of diagrams are extremely clear and useful... If you are looking for component and systems analysis of projects such as Future Systems' amorphous Selfridges Department Store or Herzog and de Meuron's embossed copper skin at the De Young Museum; look no further. --Death By ArchitectureA thoroughly and beautifully illustrated book that gives a broad overview of the various affects achieved by mostly contemporary buildings. --ArchidoseThe impressive array of diagrams are extremely clear and useful... If you are looking for component and systems analysis of projects such as Future Systems' amorphous Selfridges Department Store or Herzog and de Meuron's embossed copper skin at the De Young Museum; look no further. --Death By Architecture
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About the Author
Farshid Moussavi is Professor in Practice in the Department of Architecture, Harvard University Graduate School of Design. Her London-based firm, Foreign Office Architects (FOA), is recognized as one of the most creative design firms in the world, deftly integrating architecture, urban design, and landscape architecture in their projects. They have produced numerous critically-acclaimed and award-winning international projects, most notably the Yokohama Ferry Terminal in Japan. Prior to establishing Foreign Office Architects (with Alejandro Zaera Polo) in London in 1992, she worked with the Renzo Piano Building Workshop in Genoa and the Office for Metropolitan Architecture in Rotterdam. Michael Kubo is Teaching Associate in Architecture at Harvard University Graduate School of Design and the US Director of ACTAR. He graduated with an M.Arch from the Harvard Graduate School of Design, and with a B.A. in Architecture from the University of Massachusetts-Amherst. With ACTAR, he is the editor of Desert America: Territory of Paradox (2006), Verb Conditioning (2005), Seattle Public Library (2005), Verb Connection and Verb Matters (2004), Phylogenesis: FOA's Ark (2003), and The Yokohama Project (2002). He previously collaborated with Rem Koolhaas and OMA / AMO as Associate Editor for the Harvard Guide to Shopping (2001), Great Leap Forward (2001), and Mutations (2000).
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Product details
Paperback: 192 pages
Publisher: ACTAR, Harvard Graduate School of Design (May 1, 2008)
Language: English
ISBN-10: 8496540502
ISBN-13: 978-8496540507
Product Dimensions:
6.8 x 0.8 x 8.8 inches
Shipping Weight: 1.4 pounds
Average Customer Review:
3.3 out of 5 stars
11 customer reviews
Amazon Best Sellers Rank:
#617,843 in Books (See Top 100 in Books)
This is not a technical manual as a couple reviewers seems to wish, nor a survey of ornament in architecture. Nor does it ever claim to be such--reviewers should review a book not wish it was a different book. Instead it represents the results of graduate level research at Harvard Graduate School of Design into a revitalized understanding of the role of ornament in architecture and how one employs technical and material means to produce architecture effects and phenomena. As such the book is extremely clear, useful and elegantly designed and thoughtfully organized. Great for students and professional who want to think.
I purchased this book after a fellow colleague recommended it to me and I must say it's become one of my favorite books because of its explicit and clear way of explaining the concepts of the buildings selected. All architecture books should be written this way. Farshid did a great job of validating her standpoint of ornament... A concept that has been re-defined in this book.
There isn't any perceived function of ornament..Basically the only function is "EFFECT" and that's what the whole book pretty much talks aboutvery nice drawings though and diagrams.But the thesis is a bit meh..or rather just not very profound.A person who should write a book like this is either REM or Bjarke Ingels
Beautiful and useful; as a Professor of Architecture I will be recommending this volume to all of my students.
An amazing book showing details on how to make several ornaments on your building with up-to-date examples.Don't expect a theory novel, but a graphic and schematic summation of different design possibilities for ornamenting buildings.
The title suggests that this book is about architectural ornament, but it really covers only an extremely limited, and not particularly interesting, part of that rich topic.
I guess, to me at least, the title of the book is bit misleading,it should be "how to make an interesting building skins"Because this book provides ample examples of great building skins ofcontemporary (some past) architecture.Graphics, analysis, and categorization are the 3 strong points of the book.Each example is analyzed in the order of following:1. elements (typically material)2. key design concept3. organization and assembly of key building skin4. overall effectFor example, for Laban Dance Center by Herzog de Meuron, three differentcolors and glasses are introduced, how they are used according to the programinside, how the glasses are put together as double-layer enclosure, andthe daytime/ nighttime effects are analyzed.The book speaks with graphics, limiting the number of words used.The graphics were painstakingly achieved. Really delivering the messageclearly and concisely. Hence, essence of the project concept is easilygraspable, yet, at the same time, being graphics, it leaves room forsubjective interpretation.
In this graphic guide to building ornamentation in the twentieth century, Moussavi and Kubo have collected an interesting cross-section of architectural projects that demonstrate the mechanisms through which contemporary architecture connects itself to current culture.Through the selected case study projects, the editors endeavor to illustrate the means through which ornamentation is the very essence of the building. Not being merely 'ornamental' and self-indulgent, the articulation presented is indeed the agent of the architect's ideas.Various materials and effects are investigated ranging from 'dematerialized light' to 'relief patterns'. The impressive array of diagrams are extremely clear and useful. A typical system is defined through perspective views, sections, pattern diagrams, detailed assembly drawings and relevant notes.If you are looking for component and systems analysis of projects such as Future Systems' amorphous Selfridges Department Store or Herzog and de Meuron's embossed copper skin at the De Young Museum; look no further.
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