Free PDF The Place No One Knew: Glen Canyon on the Colorado (25th Anniversary Commemorative Edition), by Eliot Porter
Free PDF The Place No One Knew: Glen Canyon on the Colorado (25th Anniversary Commemorative Edition), by Eliot Porter
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The Place No One Knew: Glen Canyon on the Colorado (25th Anniversary Commemorative Edition), by Eliot Porter
Free PDF The Place No One Knew: Glen Canyon on the Colorado (25th Anniversary Commemorative Edition), by Eliot Porter
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From Publishers Weekly
This is a 25th anniversary edition, revised and updated, of master nature photographer Porter's 1963 paean to a unique natural wonder of compressed geology and atmospheric caprice now long since extinguished by a power-project dam. The work still excites as both camera art and a spur to wilderness preservation. Light, shadow and tinted hue play changes on the canyon's walls, rifts and waters in Porter's color plates, here accompanied by quotations from Thoreau, Loren Eiseley, Owen Wister, Wallace Stegner and others. The assemblage of "carved walls, royal arches, glens, alcove gulches, mounds and monuments" that Porter calls "the Colorado's masterwork" was discovered by John Wesley Powell in 1869. Porter mourns a vanished river passage that "mirrors pink rocks and cerulean sky" and in whose narrow chasms "streams of melted gems flow over purple sands." Though imperceptible in its original state, Glen Canyon on these picture-pages persists and is fittingly commemorated. (February Copyright 1988 Reed Business Information, Inc.
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Product details
Hardcover: 184 pages
Publisher: Gibbs Smith; Commemorative, Subsequent edition (January 1, 1988)
Language: English
ISBN-10: 087905249X
ISBN-13: 978-0879052492
Package Dimensions:
11.7 x 10.8 x 1.2 inches
Shipping Weight: 3.3 pounds
Average Customer Review:
4.3 out of 5 stars
12 customer reviews
Amazon Best Sellers Rank:
#514,335 in Books (See Top 100 in Books)
the book was much smaller than I expected...but I'm still glad I bought it...
The Glen Canyon dam flooded possibly the most amazing stretch of the Colorado River. This book is a monument to "things lost." The photographs and text of places now under water are haunting in the least. I highly recomment it if you are at all interested in the American Southwest in general and the Colorado River region specifically.
I've hiked and traveled this country in recent years. I first traveled through it when a youth (19-1954), awed but not truly understanding what I was seeing. This book, along with Tad Nichols' ""Images of a Lost World" will drive home the point of what has been lost. It can't be recovered, even if the dam were to come down, or at a minimum, be drained, but these two books will make the argument for ending it and starting some sort of resurrection. If you look at these pictures you will understand the imperative.
groovy
A beautiful and informative book by an outstanding photographer. Many people have regretted the flooding of Glen Canyon.
The Place No One Knew - Glen Canyon on the Colorado by Eliot Porter (Photographer), Daniel P Beard (Preface), and David Brower (Foreword) is an elegy to a natural wonder buried beneath water under the auspices of so-called human progress.Glen Canyon was dammed in order to create Lake Powell, which generates electricity, and is a holding tank, of sorts, for Lake Mead. Lake Mead, and other places along the Colorado River, provide water to nearly 40 million people and agriculture.This book provides photographs of the canyon before it was lost to the depths. Now, nature appears to be laughing at both environmentalists attempts to bring back the canyon through human effort, and those in the Bureau of Land Management to continue to exploit it. through human effort Since 1999, when Lake Powell was last full, the area has suffered severe drought. The canyon is emerging once more regardless of human efforts. At times the lack has been below 30% capacity.There is a sense of poetry and justice to all this. Nature eventually wins - if we receive benefit or harm from this, it is entirely accidental.
I got a copy of Eliot Porter's Glen Canyon book after reading Edward Abbey's "Desert Solitaire," a chapter of which is devoted to a downriver rafting trip along this stretch of the Colorado River just before the dam was built. While Abbey's descriptions are vivid, I wanted to see with my own eyes what he was describing. And Porter's camera is the closest you can get to doing that today.His pictures are, of course, not the real thing, but they are about as breathtaking as photography can be. The colors, textures, reflections, and the play of light and shadow are wonderful, and each photograph is distinctly different. His own description of the canyon's display of color and light in the introductory essay "The Living Canyon" give an instructive insight into the eye of the photographer. His awareness of what he is looking at and his ways of choosing to look help the reader to see even more in the 80 photographs that follow.While some of the photographs capture the monumental scale of the canyon walls and formations, many focus on the myriad surfaces that are revealed to the eye: erosion patterns, lichen, rippling water flow, the dark streaking mineral stains extending from seeps, the rough texture of weathered sandstone in glancing sunlight, smooth river stones, the layered stripes of exposed sediment, the trickling spread of water falling from overhead springs, the hanging tapestry coloration of the walls, whorled and striated rock, dry sand. There are also photographs of plants: moonflower, maidenhair fern, willow, tamarisk, redbud, columbine, cane. Above all, there is the rich array of colors, capturing a great variety of moods and attitudes.Porter was recognized for his photography of birds, and while there are no birds visible in these photographs, his introductory essay makes mention of them, and when looked at with that awareness, many of the pictures also seem to capture a sense of "air space" for flight. Before turning to photography, Porter was a Harvard professor of biochemistry and bacteriology, and it's interesting to see the somewhat dispassionate eye of the scientist in the way he uses the camera. While the story of Glen Canyon may induce sorrow or anger, the photographs are strong for their lack of sentimentality.The pictures also excite a curiosity about the geology of the river, and the book concludes with a short essay describing how the canyon walls reveal the geological ages that have gone into forming this part of the earth, going back millions of years. The book also includes a catalog of all the plants and animals that inhabited Glen Canyon before its inundation. Altogether, with its quotes from other writers, including Loren Eiseley, Joseph Wood Krutch, Wallace Stegner, and members of John Wesley Powell's expedition in the 19th century, this book is a fitting record of a great lost national treasure.
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